Works

Selected Works

* Asterisk indicates works with parts available from the composer, for rental and performance

** Asterisks indicate co-composed works, available for hire as performances

2021 Speaking Between the Walls, collection of composed and collaborative works for two tenor saxophones, feature Eyal Netzer and the composer. Creative Sources Recordings, Portugal.

*2020 “Sounds of Siday: Side A / Side B”, World Premiere in Israel Festival, Henry Crown Auditorium, Jerusalem( September 9, 2020), An evening length orchestral work for 23 players, combining the Castle in Time and Lab Orchestras, stage mapping, and live video projections. Celebrating the life and work of Eric Siday, a 20th c musical pioneer who brought electronic music to a wide audience through television and radio. Side A: composed conducted by Matan Daskal; Side B: composed and conducted by Stephen Horenstein.

2019 “Magrepha” (for 100 Saxophones), Premiere December 23, 2019, International YMCA Auditorium, Jerusalem. Players from age 10-85!*

“Route 66” for 10 players (trumpet, soprano saxophone, alto saxophone, tenor saxophone, trombone, baritone saxophone/bass clarinet, piano, contrabass, drums/percussion). Premiere, June 19, 2019, Yellow Submarine, Jerusalem.*

One as Many, for Solo Bass Clarinet, electronics and objects, premiere May, 2019 at Almacén Gallery and Cultural Center, Yafo.*

2018 Portals (Quintet No.2) for the Tel Aviv Wind Quintet, commissioned by Festival Chaillol, France; premier August 2, 2018.*

Tabula Rasa, for the Lab Orchestra (14 players), produced by the Jerusalem Institute of Contemporary Music, Yellow Submarine, June 20, 2018.

Collaboration with French artist Pascal Colrat (music for a journey of images). Pleine Lune, 100 Rêveries Illustrées published by Riveneuve Editions, Paris).

2017 Night/Day/Night for small orchestra, premiered at ArtShare, LA, as part of the composer’s Artist-in-Residency at California Institute of the Arts, February-March 2017.*

2016 Madras Express, for Lab Sextet, premiered in the Hampi Ustav Festival and Delhi International Arts Festival, India, performed by the Lab Sextet.*

Circus #1, an oratorio of sorts for electronics and multi-channel speakers.

The Lodger, new music for A. Hitchcock’s classic silent film, a collaboration with Lior Navok, for keyboards, winds, percussion and live electronics.

2015 From Heavens to Earth, site specific work, for Sisters of Sion Convent and Gardens,

Ein Kerem, Jerusalem; For 7 players in 3 meditative spaces—Commissioned by Kivunim

Night Pieces, for Lab Orchestra (12 players)

2014 Sonombule, for electroacoustic surround sound, Festival of New Electronic Music;

Curator: Prof. Amnon Wolman, Jerusalem Academy of Music and Dance

Motion Studies, for Piano Solo*

Evanescence, for Sextet*, composed for the Meitar Ensemble with Tremelo Percussion

Conducted by Yuval Zorn (Chag Ha Musica Israelit); Prime Ministers Prize for Composers.

Eb Lydian Augmented Project, double bass,bari saxophone; collaboration w. JC Jones**

Touchings, for Bb Trumpet, piano and keyboard electronics

Movable Forms, for 12 players, composed for the Lab Orchestra, Jerusalem Academy*

Before the Tribe, for multiple woodwind soloist and live electronics

2013 Chimera, for Butterfly Effect Ensemble, co-composed w. Lior Navok; with Jeffery Kowalsky

Breaking the Walls-Extended, for Unaccompanied Tenor Saxophone

New Sets, Electroacoustic Miniatures

Free Verse, for Solo Piano*

Dr. Jekyll & Mr Hyde, live film score, Festival D”ile de France, co-composed w. Lior Navok**

Quarter-Tone Miniatures, for piano

2012 Facets-50 Miniatures, for Bb Trumpet and Bb Tenor Saxophone*

Morpheus, for 14 Players (chamber orchestra)

2011 Piece for Orchestra, for “Lab Orchestra” of the Jerusalem Academy of Music & Dance

Der Golem , live film score, silent film by P. Wegener, co-composed w. L. Navok**

Quintet, for woodwinds*, in memory of Sarah Horenstein

2010 Signs and Wonders, for Baritone Saxophone and Live Electronics, Hebrew University*

Nosferatu, live film score, silent film by W. Murnau, co-composed w. L. Navok**

Andarta (Revised), a sound installation created from rare recordings of survivors WWII*

2009 Golem, for Baritone Saxophone and Electronics

2008 String Quartet No. 1, Commissioned by the Weizmann Institute of Science*

Rakevet Lyla, for 15 Players, Music On the Edge Festival, Jerusalem

2006 Raw and the Cooked, Bass, Woodwinds and MAX, w. JC Jones, L. Kessous

Holes, for two bass clarinets, Lyla Lavan Festival, Tel Aviv*

2005 Spiritus Humanus, for 12 Players, Festival Layla Lavan, Tel Aviv Art Ensemble

2004 T-ru-ah, for Brass Quintet & percussion, commission, Triton Brass Quintet*

2003 Song of Degrees, A Composition in Four Stages

Kyria, for Brass Quintet & Percussion, , Gann Academy dedication, Boston*

2002 Z’man Emet (Real Time),Installation in Sound and Space;Schechter Institute*

2001 Facets, for two tenor saxophones, guest artist, Northeastern University*

2000 T’kee-ah,The Amazing Musical Journey of a People, for ensemble, narrator, choir*

The Staff, music for film, collaboration with David Mamet and company

1999 Tzadik, for small ensemble, a mythic commentary based on A.Neiman’s song

Webs of Memory, a genealogical installation in sound & sculpture; w. Joel Tauber

1997 Illuminations, for steel drum orchestra and soprano saxophone*

Rites of Passage for multi-timbre quintet, Red Sea Jazz Festival, Eilat, Israel*

Bordomino, music for Vertigo Dance Company, Jerusalem

1996 Angels and Ladders, saxophone & live electronics, York University, England*

The Man Who Stepped Out of His Shoes, ICM Festival, Zuni Ensemble, Hong Kong

1995 Between the Silences, CD, JICM recordings, Tarshish Ensemble

Global ’95, an international artistic communication event, Electronic Cafe, MCI

Journey Tale, chamber ensemble & live electronics, SUNY, Purchase*

1994 Alta Alta, for chamber ensemble, based on traditional Ladino melodies*

The Cave, for chamber ensemble and electronics*

1991 Agadot (1991), New York International Festival of the Arts;

for 8 Players and electronics, lighting, sculpture; ancient Jewish sound sources*

1990 Quintet, for woodwinds, commissioned by Van Leer Institute, Jerusalem*

1989 Whirlpools, for string quartet, percussion and winds, Israel Festival;

Collages, for 12 Players, Red Sea Jazz Festival, Eilat Israel

1988 Saxophone Research, saxophone quintet; Other Worlds Festival, Milan, Italy*

1987 Before the City, for children’s choir and orchestra, commission: Jerusalem Foundation*

1986 Light and Motion, for harp solo; International Harp Congress, Vienna, Austria*

Andarta (Memorial), a sound installation created from rare recordings of survivors WWII*

1985 Agadot (first version), full work for 8 Players, Israel Festival; Design: I. Hadany

Collages-1985, recording of the composer’s works, IREC records, Milan

1984 Landscapes, for soloist and sound environment, Bucholt, Germany; Luxembourg

1983 Abyss, for soloist and sound environment, Tel Hai International Art Meeting, Israel

1981 Seven Faces of a Garden, environmental event in sound, light, and movement;

75 performers; designed with Isamu Noguchi*

Jerusalem During the War, live radio broadcast, Israel Radio; poetry: Shirley Kaufman

*Additional Works available for rental and performance:

Solo for Unaccompanied Guitar; Timepiece, for Solo Bb Tenor Saxophone; Duo for Alto Flute and Vibraphone; Box Structures for Solo Piano; Meditation on a Line, for Eb Baritone Saxophone and Cello; Unaccompanied Solo for Eb Alto Saxophone ; Sh’aalu Sh’lom, for Children’s Choir;